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His work has received nominations for various renowned scholarships and residencies, for the German national “Sound Art Prize“ (2006), the Stiftung Kunstfonds stipend (2010), the „Supreme Concept Award“ at Kinetika 2014 (New Zealand), for the “Kahnweiler Prize for Sculpture“ (2001) and for the “Prize for Young European Photographers“ (1989), as well as critical recognition at more than 150 exhibitions of contemporary media art since the mid-1980s : including invitations to „Sound Art: Sound as a Medium of Art“ (ZKM | Karlsruhe 2012-2013), “Tonspur_expanded: The Loudspeaker“ (Vienna 2010), “Manifesta 7: Scenarios“ (Italy 2008), “Wireless Experience“ (ISEA, Helsinki 2004), “Zeitskulptur: Volumen als Ereignis“ (Linz 1997) and his solo exhibition “Timo Kahlen: Works with Wind“, inaugurating the Kunst-Werke Berlin in 1991. Faxen - In this momentary awareness I tried to tell myself,... The travel takes place by association and imagination.
As a tip of the hat to William Burroughs and Robert Anton Wilson I take the sample from the 23rd minute. I use the deep listening of voices and noises, with or without images, as a medium to explore the mechanisms of the personal traumatic memory.
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With a background in classical performance in flute and voice, she enjoys fusing her traditional musical education with the ever-expanding world of modern electroaccoustic technologies.
Her goal is to re-write the listener’s understanding of music through the juxtaposition of the beautiful and frightening, creating a stark dichotomy of sound.
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