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In addition to cult identity, the Greek sanctuary could be defined as an institution, sculptores were represented by their works there and these honored them, increasing the social prestige of donors and introducing the social sections of life through objects, İt was possible to see unreachable objects there and be able to approach them The concept of a common culture.
When we interpret the Greek sanctuary through the functions associated with its internal arrangements, It is to be seen in its representative, instructive and, memorialising aspects.
Bu çalışmamızda Herodotos’un, İskitlerin Kimmerleri takip ettiği şeklindeki anlatımların doğruluğu sorgulanacaktır.
According to this model, the location of these sanctuaries has been classified under the categories: urban, semi-urban and extra-urban.